The Universal Shapes of Stories
Feb. 20th, 2014 02:09 pm![[personal profile]](https://www.dreamwidth.org/img/silk/identity/user.png)
... by Kurt Vonnegut.
Oh look, he's missing lack-lack liquidated-lack from the Aarne-Thompson index and there's nothing about the Asian spiral plot. Also I'm fascinated by stories that have a double-tap somewhere in them; I've seen doubled beginnings, doubled endings, and stories with two climaxes somewhere in the middle. The hurt/comfort cycle looks similar to the stepped pyramids in some of those illustrations, but angled and jagged like a sawblade.
Yes, stories have shapes, and to some of us this is obvious.
Oh look, he's missing lack-lack liquidated-lack from the Aarne-Thompson index and there's nothing about the Asian spiral plot. Also I'm fascinated by stories that have a double-tap somewhere in them; I've seen doubled beginnings, doubled endings, and stories with two climaxes somewhere in the middle. The hurt/comfort cycle looks similar to the stepped pyramids in some of those illustrations, but angled and jagged like a sawblade.
Yes, stories have shapes, and to some of us this is obvious.
(no subject)
Date: 2014-02-20 08:35 pm (UTC)Yes...
Date: 2014-02-20 08:40 pm (UTC)I think part of that may just be that most of my magical senses parse as analogs of physical senses; so for instance, structure-sense is tactile and auras are usually visual.
Plot is customarily drawn like a mountain peak. But not all plots really follow that pattern, so it's useful to illustrate them in different ways. That's actually taking an audio or visual story, which has kind of a kinetic feel to its rising and falling action, and then rendering it in a visual illustration.
Synaesthesia can be fun.
(no subject)
Date: 2014-03-04 01:59 am (UTC)(no subject)
Date: 2014-02-21 02:47 am (UTC)Well...
Date: 2014-02-21 02:52 am (UTC)Re: Well...
Date: 2014-02-21 03:03 am (UTC)Spiral plots like that, where themes repeat, are rather like incarnation with karma: Someone starts off breaking off an important relationship to pursue something else, beginning a cycle of troubles with the heart that eventually tops out with being shot in the chest (or similar intense heart-related trauma) -- and each step along the way, while the potential exists to realize what's wrong and change, there's always something else that calls the subject away for a different activity.
Now add a second (or even third) character with an intersecting or related character arc, who makes the necessary realization regarding their karma about one-half to two-thirds of the way in to the story arc. Suddenly we have a spiral that starts wobbling upward instead of downward, and a visible contrast that isn't necessarily about conflict between two people. Make it subtle enough that the consequences of the choice aren't just Deus ex machina but a clear follow-through of action and reaction, and the contrast of characters helps clarify for Westerners what the point of the story is...
I like this. Heck, it's how I tell stories anyway, half the time, just spread across multiple characters.
Re: Well...
Date: 2014-02-21 04:44 am (UTC)I have found it very useful.
>> Your origami and kirigami mages would do well with this sort of thing. <<
That is exactly the plot structure that series uses. The fundamental repetition is that they keep meeting each other and conflicting, until they work it out eventually.
Re: Well...
Date: 2014-02-21 04:40 pm (UTC)Re: Well...
Date: 2014-02-22 06:47 am (UTC)